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Manuel Álvarez Bravo | MoMA
- https://www.moma.org/artists/135
- Mexican, 1902–2002 Works Exhibitions Publications Manuel Álvarez Bravo was a teenager when he first picked up a camera and began taking pictures, before he enrolled in night classes in painting at the Academia San Carlos, in 1917, or sought instruction in the darkroom of local German photographer Hugo Brehme.
Manuel Álvarez Bravo | Artnet
- https://artnet.com/artists/manuel-alvarez-bravo/
- (Mexican, 1902–2002) Manuel Alvarez Bravo was a Mexican photographer whose work is considered some of the most important photography in 20th-century Latin America. Bravo’s most acclaimed images are black-and-white depictions of nudes, folk art, and street scenes imbued with a surreal or supernatural presence.
Manuel Álvarez Bravo — WESTON GALLERY
- https://www.westongallery.com/original-works-by/manuel-alvarez-bravo
- Manuel Alvarez Bravo was one of the founders of modern photography and considered the main representative of Latin American photography in the 20th century. His work extends from the late 1920s to the 1990s. Álvarez Bravo was born in downtown Mexico City on February 4, 1902. He left school at the ag
Manuel Álvarez Bravo | International Photography Hall of …
- https://iphf.org/inductees/manuel-alvarez-bravo/
- Manuel Álvarez Bravo, or “Don Manuel” or “El Maestro”, as he was almost always called by the world around him as a sign of enormous respect, was a synonym for Mexican if not Latin American photography until at least the 1970s. We first met at a five-day party celebrating a large retrospective of his work in Tucson in 1979.
Manuel Álvarez Bravo (The J. Paul Getty Museum …
- https://www.getty.edu/art/collection/person/103KFG
- Alvarez Bravo taught photography at the San Carlos Academy in the late 1930s, documented the work of Mexican mural painters including Diego Rivera, and contributed images to the journal Mexican Folkways. His primary subject interests have ranged from the nude form to folk art, particularly burial rituals and decorations. Dates: 1902 - 2002
Manuel Alvarez Bravo Photography - Holden Luntz Gallery
- https://www.holdenluntz.com/artists/manuel-alvarez-bravo/
- Alvarez Bravo captured little mystery in his images of everyday life, even including those of the great volcanoes of the Valley of Mexico. And he did not lack international connections: friendship with Modotti, an early spread in the magazine “Mexican Folkways;” and, in 1938, Andre Breton’s choice of one of his prints for the cover of the ...
The Photographer’s Hand: Rare Prints by Manuel Álvarez Bravo
- https://www.blind-magazine.com/news/the-photographers-hand-rare-prints-by-manuel-alvarez-bravo/
- Inspired by the work of Eugène Atget, who chronicled a changing Paris in the early 1900s, Álvarez Bravo used photography to explore and discover the rapidly changing landscape of his native Mexico City. He soon turned inward, looking to tradition for inspiration.
Lola Álvarez Bravo | Center for Creative Photography
- https://ccp.arizona.edu/artists/lola-%C3%A1lvarez-bravo
- During her long career, Lola Álvarez Bravo worked as a photojournalist, commercial photographer, professional portraitist, political artist, teacher, and gallery curator. Despite her professional success, it is her personal photography that marks her most significant contribution to the history of the medium.
Lola Álvarez Bravo | Artnet
- https://artnet.com/artists/lola-alvarez-bravo/
- From 1951 to 1958, she ran her own gallery based in Mexico City, during which time she presented her friend Frida Kahlo’s only solo exhibition in Mexico during her lifetime. Álvarez Bravo continued her photography work until the late 1980s, when failing eyesight caused her to give it up. The artist died on July 31, 1993 in Mexico City, Mexico.
"Manuel Alvarez Bravo" portfolio - Museum of …
- https://www.mocp.org/detail.php?t=objects&type=browse&s=Alvarez+Bravo%2C+Manuel&record=0
- Manuel Alvarez Bravo continued making photographs that centered on everyday life in Mexico, but he did not limit himself to a certain style or subject. In the 1940s he began photographing the Mexican landscape, and in his later years he worked primarily in his studio, photographing nudes.
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