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Allan Sekula’s “Photography, A Wonderfully Inadequate Medium”
- https://www.art-agenda.com/criticism/267403/allan-sekula-s-photography-a-wonderfully-inadequate-medium
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Allan Sekula Archive (Getty Research Institute)
- https://www.getty.edu/research/special_collections/notable/sekula.html
- Allan Sekula (American, 1951–2013) revitalized documentary photography, provided critical foundations for theorizing the relationship between word and image, and was one of the earliest artists to cast a critical eye on globalization as social phenomenon.
ALLAN SEKULA STUDIO - Home
- https://www.allansekulastudio.org/
- While questioning many documentary conventions, Sekula continued to see photography as a social practice, answerable to the world and its problems. In his lifetime he earned numerous awards—National Endowment for the Arts, US Artists Fellows Award, College Art Association, Camera Austria, John Simon Guggenheim Memorial Foundation.
Allan Sekula | MoMA
- https://www.moma.org/artists/31040
- Allan Sekula "Lead Fish." Variant of a conference room designed for the Chiat/Day advertising agency. Architect: Frank Gehry. Installation at the Museum of Contemporary Art, Los Angeles from the series Fish Story May 1988 Allan Sekula Boy looking at his mother. Staten Island Ferry. New York harbor from the series Fish Story February 1990
Allan Sekula, Against the Grain: An Interview with David Campany
- https://americansuburbx.com/2016/11/allan-sekula-against-the-grain-an-interview-with-david-campany.html
- Both as writer and artist, Sekula entrenched himself in a discursive approach to documentary where he examined social relations and labour within global capitalism and trade. His reasoned, eloquent prose matched an understated and balanced photographic output.
Allan Sekula: Photographic Work
- https://www.journals.uchicago.edu/doi/pdf/10.1086/716584
- Sekula’s photographic practice from the mid-1970s onward was a project under- stood through what he called in one of his early notebooks the “disassembled movie.”4 He articulated a method of working photographically, alongside text and audio components, the whole conceived as a distinctive mode of editing and sequencing.
Allan Sekula: Photographic Work: Getty Research Journal: …
- https://www.journals.uchicago.edu/doi/full/10.1086/716584
- Sekula’s photographic practice from the mid-1970s onward was a project understood through what he called in one of his early notebooks the “disassembled movie.” 4 He articulated a method of working photographically, alongside text and audio components, the whole conceived as a distinctive mode of editing and sequencing.
(PDF) Allan Sekula: Photography Against Illusion and …
- https://www.academia.edu/46573305/Allan_Sekula_Photography_Against_Illusion_and_Towards_Critical_Realism
- sekula, then, is a photographer who hopes to contribute to critical realism by exposing the limits in the past models of re- alism (namely, the ideology of estheticism in art photography and the ideology of neutrality in documentary photography), as well as presenting a more multidimensional approach or perspective in creating and interpreting …
Grey Room | Editors' Introduction: Allan Sekula and the …
- http://greyroom.org/issues/55/11/editors-introduction-allan-sekula-and-the-traffic-in-photographs/
- in the 1976 manifesto “dismantling modernism, reinventing documentary,” sekula calls for “a political economy, a sociology, and a non-formalist semiotics of media” that provides the framework for “a critical representational art, an art that points openly to the social world and to possibilities of concrete social transformation.” 6 such an art …
Context matters: Image and Text in the Works of Allan …
- https://photocaptionist.com/context-matters-image-text-works-allan-sekula-martha-rosler/
- In the 1970s artists like Martha Rosler, Allan Sekula and also Victor Burgin were already proposing a discourse on the renewal of the documentary. In their practice, which addressed photography as a central medium of the debate, artists – especially Rosler and Sekula – sought to counter the prioritization of visual narratives by situating these in the context of …
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