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Allan deSouza — UC Berkeley Art Practice
- https://art.berkeley.edu/alla-desouza
- Allan deSouza. Associate Professor of Photography Allan deSouza's cross-media works restage colonial legacies through counter-strategies of humor, fiction, re-inscription, and (mis)translation.As an example, a recent project, Through the Black Country, transposes Henry Stanley's 1870s East African expedition journals to England during the 2016 Brexit vote.
About – Allan deSouza
- https://allandesouza.com/about/
- Allan deSouza is a California-based trans-media artist whose works restage colonial-era material legacies through counter-strategies of humor, fabulation, and (mis)translation. ... Ruination: Partition and the Expectation of Violence (On Allan deSouza’s Irish Photography). p. 475-509 Mercer, Kobena, in Fresh Talk Daring Gazes, Conversations ...
Allan deSouza – Allan deSouza Portfolio
- https://allandesouza.com/?/photography/the-lost-pictures/
- DeSouza’s work will be invaluable to the casual gallery visitor and the arts professional alike, to all those who regularly look at, think about, and make art—especially art students and faculty, artists, art critics, and curators “Allan deSouza has done the art world an extraordinary service. . . .
Allan DeSouza – U.S. Department of State
- https://art.state.gov/personnel/allan_desouza/
- Allan deSouza (b. Kenya), is a San Francisco-based multi-media artist. His photographs, texts, installations and performances examine in humorous, intimate and disquieting ways the relationship between the individual body and larger ideological and historical forces. His works suggest performance artifacts, often incorporating materials from ...
Allan deSouza | Research UC Berkeley
- https://vcresearch.berkeley.edu/faculty/allan-desouza
- Allan deSouza works across different disciplines, including photography, text, performance and pedagogy. Their artworks have been shown extensively in the US and internationally. Their book, How Art Can Be Thought (Duke University Press, 2018), convincingly argues against many of the outdated myths that students might hold upon first taking an art class (easy grade, self …
Allan deSouza – Kadist
- https://kadist.org/people/allan-desouza/
- Artist Allan deSouza works primarily in photography and multi-media, his practice seeks to develop a decolonial aesthetic, engaging with issues of migration, diaspora and relocation in his work. This decolonial aesthetic manifests in what he calls a restaging of “colonial-era material legacies through counter-strategies of humor, fabulation ...
Allan de Souza | Berkeley Arts + Design
- https://artsdesign.berkeley.edu/bio/allan-de-souza
- Allan deSouza’s photography, mixed-media installation, digital-painting, text and performance works restage dominant histories through counter-strategies of fiction, erasure, and (mis)translation. DeSouza has exhibited extensively in the United States and internationally, with recent solo exhibitions at SF Camerawork; Yerba Buena Center for ...
Allan deSouza: The Lost Pictures | Pomona Museum
- https://www.pomona.edu/museum/exhibitions/2004/allan-desouza
- Through his emphasis on the process of photography and of memory formation, and incorporation of the body’s detritus into constructions and erasures, The Lost Pictures quietly but powerfully explores realms of memory, nostalgia, space, vision, and yearning. Allan deSouza’s exhibition is the twenty-third in the Pomona College Museum of Art ...
ALLAN deSOUZA - Exhibitions - Talwar Gallery
- https://talwargallery.com/exhibitions/allan-desouza5
- Cezanne, 2010 C-Print 16″ x 12″. Talwar Gallery is pleased to present, Trysts Tropicales, an exhibition of works by Allan deSouza. These works build on deSouza’s continued engagement with manifestations of desire and loss, whether through the personal or collective experience of the colonial encounter and its legacies.
The Failure of the Archive: Allan deSouza’s The Lost Pictures
- http://www.enterpix.in/feature/personal-paradigms/the-failure-of-the-archive-allan-desouzas-the-lost-pictures/
- Allan DeSouza’s 2004 photographic series, The Lost Pictures, created in the aftermath of his mother’s death, grapples with similar questions of historical memory, genealogy, and diasporic loss and longing that haunt Hartman’s text. In deSouza’s photoworks, the queer diasporic body itself becomes an archive of multiple displacements and colonial histories.
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