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Alfred Stieglitz Photographs Equivalents

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Equivalents - Wikipedia

    https://en.wikipedia.org/wiki/Equivalents#:~:text=Equivalents%20is%20a%20series%20of%20photographs%20of%20clouds,first%20completely%20abstract%20photographic%20works%20of%20art.%20Contents
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The Alfred Stieglitz Collection | Equivalents

    https://archive.artic.edu/stieglitz/equivalents/
    Equivalents. In the summer of 1922, Alfred Stieglitz began to take photographs of clouds, tilting his hand camera towards the sky to produce dizzying and abstract images of their ethereal forms. In an article the following year, Stieglitz maintained that these works were a culmination of everything he had learned about photography in the previous forty years: “Through clouds [I …

Alfred Stieglitz | Equivalent | The Metropolitan Museum of …

    https://www.metmuseum.org/art/collection/search/269404
    Title: Equivalent. Artist: Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York) Date: 1926. Medium: Gelatin silver print. Dimensions: 11.8 x 9.2 cm (4 5/8 x 3 5/8 in.) Classification: Photographs. Credit Line: Alfred Stieglitz …

Equivalents - Wikipedia

    https://en.wikipedia.org/wiki/Equivalents
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Alfred Stieglitz | Equivalent | The Metropolitan Museum of …

    https://www.metmuseum.org/art/collection/search/267451
    He eventually made more than two hundred photographs in the series he initially called Songs of the Sky and later Equivalents. In these purposely disorienting and nearly abstract images, Stieglitz sought to arouse in the viewer the emotional equivalent of his own state of mind at the time he took the picture and to show that the content of a ...

Alfred Stieglitz. Equivalent. 1923 | MoMA

    https://www.moma.org/collection/works/44200
    Alfred Stieglitz Equivalent 1923. On view. MoMA, Floor 5, 509 The David Geffen Wing. Photographer and gallerist Alfred Stieglitz demonstrated the expressive potential of photography with his evocative images of clouds. More than portraits of the sky, the photographs are meant to reflect the emotions and states of mind Stieglitz experienced while finding their equivalents in …

The Alfred Stieglitz Collection | Equivalent, 1930

    https://archive.artic.edu/stieglitz/portfolio_page/equivalent-1930/
    Stieglitz Series. Equivalents. In the summer of 1922, Alfred Stieglitz began to take photographs of clouds, tilting his read more. Stieglitz Series. Lake George. In the late 1880s, Alfred Stieglitz’s father bought a large property on Lake George in read more. Stieglitz Series. Late Work

Alfred Stieglitz and the Equivalent: Reinventing the Nature …

    https://artgallery.yale.edu/publication/alfred-stieglitz-and-equivalent-reinventing-nature-photography
    In the images that Alfred Stieglitz called Equivalents, the great photographic pioneer experimented with his camera and darkroom techniques to create abstract fields of light and dark. Thereafter, the transformation of events recorded from the natural world into abstract photographs became one of the 20th century’s most vital visual traditions. Alfred Stieglitz and …

Alfred Stieglitz – Equivalence and “Equivalents” (Week 19)

    https://www.wildreflections.photography/contextual-research/alfred-stieglitz-equivalence-and-equivalents-week-19
    Stieglitz’s series of cloud photographs entitled Equivalents, made in the 1920s developed the concept of equivalence. As the Met Museum explains on its website: “The Equivalents trace Stieglitz’s emotional response to nature through periods of ecstasy and darkness, romantic engagement and confronting mortality.” (Met Museum).

Alfred Stieglitz | The Art Institute of Chicago

    https://www.artic.edu/artists/36809/alfred-stieglitz
    Starting in 1922, Stieglitz also made nearly abstract photographs with studies of clouds he called Equivalents. He saw these as music in pictures, asserting that visual art could be as emotional and nonrepresentational as music.

Alfred Stieglitz and the Equivalent - Yale University …

    https://artgallery.yale.edu/sites/default/files/publication/pdfs/0-89467-084-0.pdf
    that Alfred Stieglitz realized his lifelong ambition to create photographs that participated in the avant-garde experiments of other twentieth-century artists, of whom he had been such a tireless champion. In the images that he called Equivalents,th e great photographic pioneer experimented with creating abstract fields of light and

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