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Albert Renger-Patszch: Photographer of Objectivity …
- https://www.amazon.com/Albert-Renger-Patszch-Photographer-Ann-Wilde/dp/0262181894
- Renger-Patzsch's most famous work was the 1928 photo album Die Welt ist SchÃn (The World Is Beautiful), a catalog of objects that became one of the most influential photography books ever published. His cool and clinical photographs, with their details of technical apparatus, industrial products, and natural organisms, were models of a new kind of artistic vision.This book …
Albert Renger-Patzsch: Photographer of Objectivity
- https://www.goodreads.com/book/show/1621076.Albert_Renger_Patzsch
- with text by Thomas Janzon Albert Renger-Patzsch, together with August Sander and Karl Blossfeldt, was one of the undisputed pioneers of twentieth-century German photography. Indeed, what Sander achieved in portrait photography and Blossfeldt in plant photography, Renger-Patzsch achieved in his renderings of objects and the material world.
Albert Renger-Patzsch | MoMA
- https://www.moma.org/artists/4866
- Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. Wikidata Q62002 View or edit the full Wikipedia entry ... Germany and worked as a freelance photographer producing documentary and press photographs. In 1928 Renger-Patzsch moved to Essen, Germany, and from 1933 to 1934 he ...
New Objectivity by Albert Renger-Patzsch (686PH) - Atlas …
- https://atlasofplaces.com/photography/new-objectivity/
- Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. Renger-Patzsch was born in Würzburg and began making photographs by age twelve. After military service …
Albert Renger Patzsch: Photographer Of Objectivity
- https://www.goodreads.com/book/show/1134528.Albert_Renger_Patzsch
- Albert Renger Patzsch book. Read reviews from world’s largest community for readers. with text by Thomas Janzon Albert Renger-Patzsch, together with Augu...
Albert Renger-Patzsch: New Objectivity | Art History Unstuffed
- https://arthistoryunstuffed.com/albert-renger-patzsch-new-objectivity/
- Albert Renger-Patzsch has long been considered the photographic representative of New Objectivity. Unlike the painters who were grouped under this rubric, Renger-Patzsch did not add political perspective and social commentary to his work. ... Renger-Patzsch redefined “beauty” calling attention to the One of the defining techniques of the ...
Albert Renger-Patzsch : Photographer of Objectivity
- https://books.google.com/books/about/Albert_Renger_Patzsch.html?id=B85pAIcV1TkC
- with text by Thomas Janzon Albert Renger-Patzsch, together with August Sander and Karl Blossfeldt, was one of the undisputed pioneers of twentieth …
Albert Renger-Patzsch | The MIT Press
- https://mitpress.mit.edu/books/albert-renger-patzsch
- Photographs and selected writings by a pioneer of twentieth-century photography and a master of the New Objectivity.Albert Renger-Patzsch, together with August Sander and Karl Blossfeldt, was one of the undisputed pioneers of twentieth-century German photography. Indeed, what Sander achieved in portrait photography and Blossfeldt in plant photography, Renger-Patzsch …
The Air of Objectivity : Albert Renger-Patzsch and the …
- https://online.ucpress.edu/representations/article/157/1/90/119577/The-Air-of-ObjectivityAlbert-Renger-Patzsch-and
- Focusing on Albert Renger-Patzsch’s photographs of the Zollverein colliery, this essay investigates the tension between the clarity of Renger-Patzsch’s aesthetic and the physical reality of the industrial environment in which he worked. In doing so, it offers an account of New Objectivity photography that is attentive to both the environment from which it emerged and …
Albert Renger-Patzsch - Kirsty Lewis A-level Photography
- http://kirstylewisphotography.weebly.com/albert-renger-patzsch.html
- Albert Renger-Patzsch was a German photographer who worked with the art movement of "New Objectivity" in the 1920s. Renger-Patzsch had a very positive attitude towards photography, in his book he wrote "There must be an increase in the joy one takes in an object, and the photographer should be fully conscious of the splendid fidelity of reproduction made possible by his technique".
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