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Albert Objectivity Patzch Photographer Renger

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Albert Renger-Patzsch | German photographer | Britannica

    https://www.britannica.com/biography/Albert-Renger-Patzsch
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Albert Renger-Patszch: Photographer of Objectivity …

    https://www.amazon.com/Albert-Renger-Patszch-Photographer-Ann-Wilde/dp/0262181894
    Renger-Patzsch's most famous work was the 1928 photo album Die Welt ist SchÃn (The World Is Beautiful), a catalog of objects that became one of the most influential photography books ever published. His cool and clinical photographs, with their details of technical apparatus, industrial products, and natural organisms, were models of a new kind of artistic vision.This book …

Albert Renger-Patzsch | MoMA

    https://www.moma.org/artists/4866
    Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity.

New Objectivity by Albert Renger-Patzsch (686PH) - Atlas …

    https://atlasofplaces.com/photography/new-objectivity/
    Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. Renger-Patzsch was born in Würzburg and began making photographs by age twelve. After military service in the First World War he studied chemistry at Dresden Technical College. In the early 1920s he worked as a press photographer for the …

Albert Renger-Patzsch: New Objectivity - Art History Unstuffed

    https://arthistoryunstuffed.com/albert-renger-patzsch-new-objectivity/
    Albert Renger-Patzsch appeared to be interested in naturalizing the unnatural and in abstracting the natural, but, like Erich Mendeshon, he was not systematic in his methods. But there were photographers, who practiced the New Objectivity through establishing exhaustive and extensive taxonomies—groupings of things and people.

Albert Renger-Patzsch: Photographer of Objectivity

    https://www.goodreads.com/book/show/1621076.Albert_Renger_Patzsch
    with text by Thomas Janzon Albert Renger-Patzsch, together with August Sander and Karl Blossfeldt, was one of the undisputed pioneers of twentieth-century German photography. Indeed, what Sander achieved in portrait photography and Blossfeldt in plant photography, Renger-Patzsch achieved in his renderings of objects and the material world.

The Air of Objectivity : Albert Renger-Patzsch and the …

    https://online.ucpress.edu/representations/article/157/1/90/119577/The-Air-of-ObjectivityAlbert-Renger-Patzsch-and
    Focusing on Albert Renger-Patzsch’s photographs of the Zollverein colliery, this essay investigates the tension between the clarity of Renger-Patzsch’s aesthetic and the physical reality of the industrial environment in which he worked. In doing so, it offers an account of New Objectivity photography that is attentive to both the environment...

Monday’s Photography Inspiration – Albert Renger – Patzsch

    https://photographyandvision.com/2021/05/24/mondays-photography-inspiration-albert-renger-patzsch/
    Albert Renger – Patzsch was a German photographer whose cool, detached images formed the photographic component of the Neue Sachlichkeit associated with the New Objectivity. Born in Würzburg and began experimenting with photography by age twelve.

Albert Renger-Patzsch | ND Magazine

    https://ndmagazine.net/photographer/albert-renger-patzsch/
    Albert Renger-Patzsch (1897 - 1966) was a German photographer associated with the New Objectivity. Renger-Patzsch experimented with photography as a teenager. After serving in World War I, he studied chemistry at Dresden Technical College. In 1920 he became director of the picture archive at the Folkwang publishing house in Hagen.

Albert Renger-Patzsch - Kirsty Lewis A-level Photography

    http://kirstylewisphotography.weebly.com/albert-renger-patzsch.html
    Albert Renger-Patzsch was a German photographer who worked with the art movement of "New Objectivity" in the 1920s. Renger-Patzsch had a very positive attitude towards photography, in his book he wrote "There must be an increase in the joy one takes in an object, and the photographer should be fully conscious of the splendid fidelity of reproduction made possible by his technique".

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